Denver, Colo. (June 29, 2016)—Central City Opera opens its 2016 summer festival with Douglas Moore’s The Ballad of Baby Doe, running in repertory from July 9 through August 6, in the historic 550-seat opera house in Central City.
“We are always thrilled to bring Baby Doe home, said Pelham (Pat) Pearce, general and artistic director of Central City Opera, now in his 20th season with the company. “While we’ve produced this opera many times here, this summer’s production is so fresh and compelling that you’ll not want to miss it,” said Pearce. “Most exciting is the exquisite lighting and scene projections of actual locations in Colorado, including images of the cabin at the Matchless Mine in Leadville, where Baby Doe spent her final days.”
Set in Leadville, Colorado, during the mining days of the late 1800s, The Ballad of Baby Doe, written and performed in English, is based on the tragic love triangle of Colorado silver baron Horace Tabor, his wife Augusta, and a woman who once lived in Central City, Mrs. Elizabeth “Baby” Doe. Central City Opera commissioned and premiered the opera in 1956 and last performed it in 2006.
“The thing I love most about what we are doing with this production is focusing on the human story,” said Timothy Myers, conducting The Ballad of Baby Doe for his first time. “Pieces like Baby Doe can easily come across as what I call a ‘docu-opera,’ so I love that we are focusing on the relationships of the characters and bringing the music to life from a very organic place.”
Central City Opera welcomes back Anna Christy (soprano), who makes her role debut as Baby Doe. Familiar to Central City Opera audiences, Ms. Christy sang the role of Susanna in Le nozze di Figaro (2014), Emily Webb in Our Town (2013), and Olympia in Les contes d’Hoffmann (2004). Grant Youngblood (baritone) makes his role debut as the silver baron and speculator Horace Tabor. Another familiar voice to Central City Opera audiences, Youngblood sang Sharpless in Madama Butterfly (2010), Enrico in Lucia di Lammermoor (2009), and Germont in La traviata (2007). New to the Central City Opera stage this summer is Susanne Mentzer (mezzo-soprano), who sings her first Augusta Tabor. Mentzer sang the role of Marcellina in the Metropolitan Opera’s 2015-2016 production of Le nozze di Figaro. Colorado audiences may remember her from Opera Colorado’s 2009 production of Cosi fan tutte, when she sang the role of Despina. Rounding out the principal cast are Donald Hartmann (bass-baritone), who makes his Central City Opera debut singing the role of William Jennings Bryan, and Sarah Barber (mezzo-soprano), also making her Central City Opera debut, singing the role of Mama McCourt, Baby Doe’s mother.
David Martin Jacques, Central City Opera’s resident lighting designer, provides the scene projections. Ken Cazan, known for his work on Central City Opera’s The Prodigal Son (2015), Dead Man Walking (2014), The Sound of Music (2014), and Our Town (2013), directs his first Baby Doe; and Timothy Myers, who conducted Central City Opera’s Carmen (2011), is the maestro in the pit.
“Our audience will find Moore’s score immediately accessible and exceptionally melodic,” said Myers. “After hearing soaring, emotional arias to chorus numbers that verge on Broadway style, people will leave the theatre with some great American music in their memory.”
The Central City Opera 2016 Summer Festival continues with Puccini’s powerful and passionate thriller, Tosca, opening July 16 and running through August 7. Complementing the two mainstage operas—The Ballad of Baby Doe and Tosca—are two one-act operas: Mozart’s The Impresario performed in Central City on July 27 and August 3 at noon, at the Williams Stables Theater, and in Boulder on July 28, at The Nomad Playhouse, at 6 p.m. and 8 p.m.; and Musto’s Later the Same Evening, performed in Colorado Springs on July 28, at the Pikes Peak Arts Center, Studio Bee, at 7 p.m., the Denver Art Museum on July 30, at 8 p.m., and in Central City on August 5, at the Gilman Studio in the Lanny and Sharon Martin Foundry Rehearsal Center, at 7 p.m. For tickets and information on all of the festival offerings, visit www.centralcityopera.org or call the box office at 303-292-6700, between 10 a.m. and 4 p.m., Monday through Friday.
The Ballad of Baby Doe
Composer: Douglas Moore
Librettist: John Latouche
Commissioned by Central City Opera
Premiered in 1956 at the Central City Opera House
Sung in English with English supertitles
Estimated running time of 2 hours and 45 minutes, including one 20-minute intermission
(in order of vocal appearance)
Horace Tabor: Grant Youngblood
Augusta Tabor: Susanne Mentzer*
Mrs. Elizabeth (Baby) Doe: Anna Christy
Mama McCourt: Sarah Barber*
William Jennings Bryan: Donald Hartmann*
*=Central City Opera Debut
Conductor: Timothy Myers
(Aaron Breid, July 19 performance)
Director: Ken Cazan
Assistant Director: Amanda Consol
Set, Lighting, and Projections Designer: David Martin Jacques
Assistant Projections Designer: Brian Freeland
Costume Designer: Sara Jean Tosetti
Wig/Makeup Designer: Liz Parintz
Chorus Master: Aaron Breid
Musical Preparation: Michael Baitzer, John Arida
Stage Manager: Diane Lin Cole
Assistant Stage Manager: Bryce Bullock
8 p.m.: July 9, 29; August 2, 6
2:30 p.m.: July 13, 15, 17, 19, 21, 23, 27, 31; August 4
Central City Opera 2016 Opera Insider, pages 7 through 13:
Walking History of the Matchless Mine:
Biography of Elizabeth Bonduel McCourt Doe Tabor:
Boomer Bus—Transportation, Lunch, and Exclusive Opera Information
(July 19 and July 23, The Ballad of Baby Doe; July 26, Tosca)
This special-event package includes a glass of champagne, exclusive insider experiences, a boxed lunch in the gardens, and a Short Works performance. Patrons board the bus in Denver at 10:00 a.m. at Sports Authority in Glendale and 10:30 a.m. at Simms Steakhouse off of 6th Ave.
The return bus ride to Denver includes a question-answer session with a member of CCO’s Education and Community Engagement team. Tickets are $35. Visit www.centralcityopera.org/visit/opera-bus for additional information.
Opera Bus—Transportation from Denver (July 13, 17, 20, and 24)
Roundtrip bus rides to Central City to attend operas, activities, and other events are $20 and leave Denver at 10:00 a.m. from Sports Authority in Glendale and 10:30 a.m. from Simms Steakhouse off of 6th Ave. Visit www.centralcityopera.org/visit/opera-bus for additional information.
Afternoon at the Opera—Lunch and a Closer Look at The Ballad of Baby Doe, (July 19, 11:15 a.m.)
Presented by the Central City Opera Guild, this unique experience includes a special lunch with an in-depth presentation about the opera, its historical setting, and furnishings once owned by Baby Doe and Horace Tabor. Catered lunch begins at 11:45 a.m. in the Teller House. Tickets for this afternoon event are $30. For all details, visit www.centralcityopera.org/event/afternoon-at-the-opera.
Nina Odescalchi Kelly Family Matinee, The Ballad of Baby Doe (August 2 at 2:30 p.m.)
This special family matinee performance of The Ballad of Baby Doe at the Central City Opera House provides a great introduction for kids, families, and adults looking for an educational approach to the opera experience. The matinee performance includes a narrator’s preview and an autograph session with the singers following the performance. Tickets are $20. Prices are subject to change, based on availability.
Tickets and Information
Festival show tickets range from $31 to $108, based on availability. Subscribers who purchase both Central City Opera House shows can save up to 25%, along with additional and more exclusive opportunities. One-act opera tickets start at $34 ($31 for subscribers), and group discounts are available for ten or more people. All prices are subject to change, based on availability. For more information and to purchase tickets, visit www.centralcityopera.orgor call the box office, 303-292-6700, between 10 a.m. and 4 p.m., Monday through Friday.
About Central City Opera
Celebrating its 84th year, Central City Opera is the second oldest professional opera festival in the country, located just 35 miles west of Denver in one of Colorado’s official National Landmark Historic Districts. The company continues to present artistically excellent professional opera in its annual summer festival; to offer career-entry training to young singers; to produce education and community engagement programs and to preserve and maintain the Central City Opera House, and 30 other Victorian-era properties.
Summer Festival Sponsors
Central City Opera expresses its sincere gratitude to 2016 Festival sponsors: Citizens of the Scientific & Cultural Facilities District, Avenir Foundation, Inc., Central City Opera House Association Endowment Fund and Lanny and Sharon Martin. Central City Opera also thanks 2016 Festival media sponsors: The Denver Post Community, 5280 Magazine, and 9NEWS.